It’s the year 2000, and our protagonist, newly-divorced A., has just moved into a new apartment. The apartment is empty except for a series of moving boxes, a landline telephone and an answering machine. A. is attempting to create new material for a performance piece as she embarks on her new life, but her judgmental, immigrant Italian mother keeps interrupting her with continuous phone calls lecturing A. on how A. should live her life and decorate her apartment. The two women struggle to understand one another, and each phone conversation inspires A. to create yet another character that explores the hysterical and universal struggles between an immigrant Italian mother and her Americanized daughter, and, ultimately, the struggle between all mothers and their adult children.